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  1. liked It: 4532 Vote
  2. Alexis Manenti
  3. 1h 44 Minute
  4. A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the different groups mark the rhythm
  5. creator: Ladj Ly

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Underground and independent music label, focused on Raw/Grim/Depressive Black Metal. The label is French/Polish collaboration founded in 2018. We want to support the artists which use music for describe their negative feelings of sorrow, pain, depression and so on. We believe it is a kind of self-therapy, both for artists and listeners.   more.

 

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新三國志手機版 巴哈. Les Miserables has plenty of points to make, and while it inevitably fails on some and perhaps even on the main intended theme, the story is told with sufficient honesty to mostly work. The first half of the film is a slice of life movie of the life of a cop in an impoverished French slum, while the second half gets into its bigger political ideals. Ly clearly has vision and strong storytelling skills, as information is communicated with minimal exposition, and the pace is swift. There is some ambiguity in how good or helpful the characters in the movie are, particularly Greaser. We get a sense for what life is like living in the slums, but not a sense of what any of the boys are actually like. The second half dives deeper into its grander ideas, and one main point is made effectively, while many fall short. To me, the main theme of the movie was that absolute power absolutely corrupts, which is why accountability is essential for police officers, who are supposed to uphold the law. This is obviously personified by Chris, but also represented in the gradual use of force in the other two cops. With the quote from Les Mis at the end and the grand finale he has, I think Ly was going for a story of simmering tension between cops and unhappy citizens, until the shot was the last straw and the people rebel. There wasn't enough build for me in terms of the people's dissatisfaction and resentment towards the cops for this to really be effective. The main performance by the actor playing Greaser could've been much better, as he didn't really convey any emotion to me. It's a strange ending, especially with the quote about people not being good or bad but being cultivated, cause that really doesn't come across the rest of the movie. I do like the way the story is told visually and think it's an engaging plot and premise, but just don't think most of the ideas fully cohere. Decent film, but if my suspicions about Portrait are right, France probably made the wrong call on its Oscar nominee.

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